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San Blas is today a downtown neighborhood in the city
known as the " Artists' District", with narrow and writhing streets,
most of them steep. In Inkan times it was one of the most important
districts of Qosqo and its name was "T'oqo-kachi" (T'oqo = hollow; kachi
= salt). Like the other districts it was inhabited by the Quechua
nobility. It seems that the church was erected over an Inkan Sanctuary
devoted to cult of the "Illapa" god (Thunder, Lightning and Thunderbolt).
It was possibly opened for the first time in 1544 by the city's second
Bishop Juan Solano. Although some other versions say that it was after
1559 as consequence of viceroy Andres Hurtado de Mendoza's order by
which "Indians" had to built churches for their indoctrination in the
districts where they lived. Its structure was simple with a rectangular
floor plan and mud brick walls, but after the earthquakes in 1650 and
1950 it was partially reinforced with stone walls. It has just one nave
and two gates before which there are big plazas; and a stone bell tower
constructed after the 1950 earthquake instead of the original made with
mud bricks.
Inside the church is one of the greatest jewels of colonial art in the
continent: the Pulpit of Saint Blaise; which is a filigree made in cedar
wood by expert hands managing a gouge. It is not known with certainty
who was the artist or artists that made it, how long the work lasted,
neither any other details about it. However, the pulpit is over there as
a mute witness of a great Catholic devotion and devoted work. There are
enough proofs to assert that it was made carved with funds given by art
protector Bishop Manuel Mollinedo y Angulo; therefore, it was by the end
of the XVII century. There are serious discrepancies about the identity
of the performing artist.
Most authors suggest that it was made by the most famous Quechua
woodcarver: Juan Tomas Tuyro Tupaq, that was contemporary and protected
of Mollinedo y Angulo, who entrusted him the manufacture of several
works. It also could have been work of some other artists contemporary
with Mollinedo such as Martin de Torres, Diego Martinez de Oviedo who
made the monumental High Altar of the Compañia de Jesus Church, or the
Franciscan Luis Montes that made the San Francisco Church's choir. Oral
tradition has its version gathered by Angel Carreño who in his
"Cusquenian Traditions" manuscript had stated in writing the name
Esteban Orcasitas as the pulpit's author; but, for the 1st. edition of
his book the name was changed by that of Juan Tomas Tuyrutupa. Tuyrutupa
was Quechua and Cusquenian, but according to that traditional version he
was a leper woodcarver from Huamanga (Ayacucho). The story tells that
once he had in his dreams a revelation of the "Holy Virgin of the Good
Happening" who told him that if he wanted to get healed from his leprosy
he had to look for her in the small plaza of Arrayanpata in Qosqo City.
After a long journey and many mishaps, one day he found her painted on a
wall after that the roofing of the "Lirpuy-Phaqcha" chapel fell in.
Falling on his knees and weeping he invoked her, as the Virgin's rosary
became rose petals with which he rubbed hard his whole body remaining
thus completely healed. The piece of wall containing the painting was
cut and moved to the Saint Blaise Church, then people agreed upon to
build an altarpiece and a pulpit for the Virgin. The grateful Quechua
woodcarver committed himself to make the pulpit without charging any
money for the work estimated in 1400 pesos. The work took him 4 years of
hard labor with wood from an enormous cedar tree that was cut in the
Kusipata square (present-day Regocijo). But, when finishing his work the
woodcarver failed his oath as he asked the church's curate for 70 pesos
in order to lionize a Cusquenian half-breed woman. After fastening the
Saint Paul statue over the pulpit's sounding board, he stumbled and fell
off dying soon after. His corpse was buried under the pulpit but some
time later it was taken out and his skull placed before the feet of the
Saint Paul sculpture, where it is seen today.
As any other normal pulpit, that of Saint Blaise has a balcony (basin),
a thorax (main body), a sounding board (cupola), and a gallery
(entrance). The Basin is spherical and supported by a bronze structure;
it contains eight human busts representing the Catholicism heretics,
they are:
Martin Luther, creator of Lutheranism and chief of the religious reform
in Germany;
John Calvin, founder of Calvinism in France and Switzerland;
Ulrich Zwingli, friend and follower of Calvin;
Henry VIII, king of England who denied the Pope's authority and created
Anglicanism;
Elizabeth of England, who was daughter and follower of Henry VIII;
Arius, native from Alexandria and founder of the Arianism;
Phocion, who along with Arius made the great orthodox greeks schism or
eastern schism;
Catherine of Bora, wife of Luther.
Above, there are baroque columns between which are the sculpted images
of the four evangelists, Saint Matthew, Saint John, Saint Mark and Saint
Luke. In the central portion is the sculpture of the "Immaculate
Conception Holy Mary of the Good Happening". On the pulpit's thorax is
engraved in high relief the effigy of the Patron Saint of the parish:
Saint Blaise; with pontifical clothing. Above this image is the bishop
Mollinedo y Angulo's coat of arms. In the very adorned sounding board
(it amplifies the voice of whom giving the sermon) are sculptures of the
church's doctors, Saint Bonaventure, Saint Thomas of Aquinas, Saint
Augustine, Saint Gregory the Great, Saint Jerome, Saint Bernard and
Saint Francis of Sales. And finally, crowning the pulpit and supported
by five archangels is the sculpture of Saint Paul of Tarsus (Carreño
believes that it is Saint Thomas and some others that it is Jesus
Christ) with a crucifix in his hand; before the feet of Saint Paul is
the skull that is supposed to belong to the pulpit's author.
Likewise, the church's High Altar is imposing, carved in cedar wood and
gilded with gold flakes. It has a mixed style in which the baroque
twisted columns stand out. It was gilded and possibly also carved by
Juan Tomas Tuyro Tupaq and his woodcarvers team. In its central portion
is the Virgin of the Immaculate Conception and above a Saint Blaise
effigy. On the eastern wall there is another altarpiece made by Tuyro
Tupaq and his son Mateo towards 1678; it belongs to the "Virgin of the
Good Happening" who is painted on the original piece of wall brought
from the "Lirpuy-phaqcha" chapel. There are some other altarpieces
belonging to Saint Blaise, Saint Joseph, and a dark Jesus Christ known
as the "Lord of the Agony" that has movable arms and head; his dark
color is because is covered with llama parchment. Over the side walls
are 8 anonymous canvases with impressive gilded frames; they represent
the martyrdom of Saint Blaise, bishop of Tucuman. Inside the baptistery
there is a painting with a Jesus Christ having an evident female body.
Toward the right side of the entrance is a crooked cross made in a
single piece of Chachacomo wood (a native Andean tree). The church has,
even more, a higher choir with balusters of gilded cedar wood.
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